posted by
orichalcum at 05:39pm on 10/01/2008 under teaching
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But I thought I'd throw out for general discussion one of the main questions and themes I had for the first few weeks of the course.
Where does the recent cinematic and literary resurgence of the sacrificial hero, especially in "beefcake" historical epics like Braveheart, Titanic, Gladiator, 300, etc... arise from? These figures, almost entirely male in recent incarnations, fight bravely but eventually die in order to save their country/people and often rejoin their brutally murdered or violated family. As a result of their deaths, "freedom" is restored or preserved.
Is it:
a. an attempt to capitalize on the Christian men's movement, presenting a tougher warrior-Jesus figure? Is this the reason why the big strong men, after initially failing to preserve a status quo, get to reaffirm traditional male hero roles?
b. a look back to the great films of the 1950s like Spartacus and Ben Hur, perhaps due to some nostalgia for the good/evil dichotomies of that decade? (Of course, Spartacus is really Good-Communist/Bad-Capitalist, but lots of folks miss that.)
c. a shallow attempt to create action films that also appeal to women, who are thought to like more angst and tragedy?
d. invoking important themes of Western culture and mythology, going back to the Greeks and Romans (Achilles, Iphigenia, etc...)
e. none of the above - answer in comments.
f. all of the above?
EDIT:
g. all about Mel Gibson
N.B. Inevitably, there are a lot of spoilers in the comment thread now (which is a great thread; thanks!) If you don't want to know whether or not a protagonist dies in a film or tv show, this may not be a good thread for you to read. I cited the movies above partially out of carelessness and partially out of the thought that they were films whose endings were known to a very large audience. (I hate to tell folks this, but not all 300 Spartans make it out.. Also, the ship sinks.)
Where does the recent cinematic and literary resurgence of the sacrificial hero, especially in "beefcake" historical epics like Braveheart, Titanic, Gladiator, 300, etc... arise from? These figures, almost entirely male in recent incarnations, fight bravely but eventually die in order to save their country/people and often rejoin their brutally murdered or violated family. As a result of their deaths, "freedom" is restored or preserved.
Is it:
a. an attempt to capitalize on the Christian men's movement, presenting a tougher warrior-Jesus figure? Is this the reason why the big strong men, after initially failing to preserve a status quo, get to reaffirm traditional male hero roles?
b. a look back to the great films of the 1950s like Spartacus and Ben Hur, perhaps due to some nostalgia for the good/evil dichotomies of that decade? (Of course, Spartacus is really Good-Communist/Bad-Capitalist, but lots of folks miss that.)
c. a shallow attempt to create action films that also appeal to women, who are thought to like more angst and tragedy?
d. invoking important themes of Western culture and mythology, going back to the Greeks and Romans (Achilles, Iphigenia, etc...)
e. none of the above - answer in comments.
f. all of the above?
EDIT:
g. all about Mel Gibson
N.B. Inevitably, there are a lot of spoilers in the comment thread now (which is a great thread; thanks!) If you don't want to know whether or not a protagonist dies in a film or tv show, this may not be a good thread for you to read. I cited the movies above partially out of carelessness and partially out of the thought that they were films whose endings were known to a very large audience. (I hate to tell folks this, but not all 300 Spartans make it out.. Also, the ship sinks.)
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